“Harper-Malveaux uses shadow to such gorgeous effect you want a directing and design class to study it. The two characters are never in the same space together, but through the magic of Brendan Yungert’s scenic design and Spense Matubang’s lighting, a flesh-and-blood actor can interact with another’s shadow. The result is at once like memory meeting waking life and like throbbing, impossible desire reckoning with how far away its object is.”
-Lily Janiak, SF Chronicle

“the show succeeds on a technical/artistic level–excellent lighting by Spense Matubang, and costumes by Jasmine Milan Williams.”
-Patrick Thomas, Talkin’ Broadway